华氏247
丝柯·泰勒-考普顿,克里斯蒂娜·乌洛亚,特拉维斯·范·文克,迈克尔·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亚尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II
古有织女下凡洗澡偶遇牛郎,今有美女灶神人间裸泡温泉却无人问津。灶神郭婉蝶为寻人间真爱,下凡巡逻时碰上人间的厨神比赛,与前来参赛、爱好直播的美男子姜聪不打不相识,这段人仙殊途的爱情又该以怎样的方式收场?
▶ 立即观看赫尔措格
谢飞
伊夫.罗伯特
科恩兄弟
格斯·范·桑特
林赛·安德森
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
立志成为漫画家的高中生林明子,经同学介绍来到一个奇怪的美术教室。这个教室没有招牌也没有宣传,甚至在电话本上都查不到,只是一处坐落在海边的小木屋。木屋主人是个手拿竹刀、身穿运动服的美术老师,名叫日高健三。他严厉无比,每次学生们画画懈怠的时候,他只有一句话:“去画吧!”
瑞秋(泰莉莎·帕尔墨 Teresa Palmer 饰)和安东尼(史蒂芬·克里 Steven Cree 饰)本来拥有一个幸福的家庭,两人共同抚养着上天恩赐给他们的一对可爱的双胞胎,一家人生活在平和与其乐融融的气氛之中。哪知道,一场突如其来的灾难在迅雷不及掩耳之际袭击了这个家庭,双胞胎中的哥哥不幸丧生,剩下的人则要体味无穷无尽的痛苦。 为了摆脱阴暗的过去,尽快走进新的生活,瑞秋和安东尼决定举家迁往宁江的乡村小镇,在那里修复这个支离破碎的家庭,谁知道没过多久,种种异象便发生在了幸存的弟弟艾略特(Tristan Ruggeri 饰)身上,艾略特告诉父母,死去的哥哥并没有离开,而是一直纠缠和困扰着他。